Reading notes on Romeo and Juliet
- 1.1
- rhymes; sonnet of prologue
- rap talk; hip hop--bravado violence and sexual abuse
- puns and rhymes
- gang war
- draw thy tool...my naked weapon is out; challenging each other
- begin with a fight
- old montague and wife--comedy; give me sword; energies of youth
- inflammatory explosion--Luhrman
- Prince as order and authority
- transition to Romeo; language switch at 111 from violence to tenderness; adolescent melancholy
- the lover boy --banter with Benvolio and then barrage of oxymora 170--lines start rhyming; praise of Rosaline; Petrarchan fashion
- lovesickness
- 1.2
- Old Cap. and Paris--Juliet's age at 14
- Illiterate Peter interlude
- party invitation; Romeo swears loyalty to Rosaline
- Benvolio insists on comparisons
- 1.3
- Juliet called by lady cap; Nurse's speech about earthquake and weaning and falling backward and wound and time passing
- realtion of nurse of Juliet
- mother wants her to marry; join the adults
- love as obedience or independence; 99--loving the one forbidden by parents
- 1.4
- Masquers enter; Romeo doesnt want to dance; Mercutio: prick love for pricking--Romeo wants to be old--25
- Queen Mab--poetry, dreams, talk and nothing--Mercurial; manic; Protean--the mind the unconscious, language and feeling aand masquing
- Romeo's dreamy premonition
- 1.5
- the servingmen--upstanirs downstairs; setting stage for party
- Capulet's nostalgia--cf. Nurse; passage of time NB
- Romeo's sudden fall 40 and Tybalt's violent noticing--love and hate juxtaposed; oxymoron
- Cap. battles Tybalt--staging of two things at once 80 while the dance goes on--three things
- the holy sonnet: love and divinity; a dance of language--formal pattern
- interruption--nurse and mother calls--coarse and refined
- both find love/hate; love/death oxymoron
- 2.0
- old desire; young affection
- 2.1
- Mercutio mocking the language of love; conjuring by Rosaline
- raising up and down; mistress' circle
- Contrast to "soft what light throughyohnder window breaks?..."
- Seeing her unobserved--audience actor
- language and imagination; metaphor to reality through speech...entranced with her speech
- Her speech itself a cry of woe, and then a tirade against language
- love is nameless, yet she loves his name
- either he or she should renounce their name=marriage
- Montague is not body...what's in a name...doff thy name
- Exchange name for her...all figurative dance of language and meaning
- He pops out; audience turns to actor; comments on taking metaphor literally--cant identify himself by name--comedy
- moving directly into danger and tragedy--death
- his bravado and linguistic sense of protection
- love is worth death
- She reverses herself....fain would I dwell on form 130
- I will take thy word
- worried about falseness of words again--well taken, given Romeo's previous infatuation and the fact that love cools or is prorogued
- problem of saying I love you--what does it mean or does it make meaning
- then she reverses again...coyness, easiness
- play of signifiers: not impute this y ielding to light love
- He tries to swear she stops him--by what shall he swear; looking for the signified=God of my idolatry
- all this talk is also cover for the actions of touch and tease
- She keeps interrupting
- Her caution--I have no joy of this contract tonight--too sudden/Too like the lightening which doeth cease to be /Ere one can say it lightens--ineffable feelings; lost when put into words
- give and take; infinite bounty; satisfaction and desire grows with withdrawal
- she leaves and returns--good night, good night
- typical lovers good night
- her pledge to him; her vows--also her distrust
- schoolboy metaphor
- leaves and comes back again
- forgot why called you back
- losing what's in mind; spacing out; he'll stay
- wanton bird image--wants to be her bird; parting and sweet sorrow; kill thee with much cherishing
- 2.2
- Friar Lawrence collecting natural herbs--he loves youth and desire; reflecting on paradox of virtue and vice; poison and medicine--Juliet's flower imagery
- R's father figure--religion and love[medieval romance]
- Difference between Rosaline and Juliet--J. shares it
- Wisely and slow; they stumble that run fast 94
- 2.3
- Mercutio and romeo bantering endlessly and sexually; meeting and mocking Nurse
- cords sailing vessel imagery [comic interludes create tension; not lighthearted]
- 2.4
- youth vs. age; Juliet waiting; slow vs. fast--17/18
- nurse teasing her with good news; essence of impatience
- Nurse teases her asking for massage; her earthiness; reveals the news
- 2.5
- Romeo defies time and death--his desire so strong; haste, urgency, impatience
- These violent delights have violent ends/and in their triumh die like fire and powder/which as they kiss consume
- Love moderately
- Juliet: my love's excess
- 3.1
- now these hot days is the mad blood stirring
- Mercutio's aggression--tension of wanting to fight--moodiness and volatilility--accuses Benvolio of being quarrelsome
- Tybalt and Mercutio as hotheads--Benvolio tghe peacemaker
- Romeo wants to love Tybalt; Mercutio sees it as vile submission; he and Benvolio try to stop the fight
- Tybalt gets Mercutio under R's arm
- Mercutio's gallows humor; and curse--Mercurial shifts between humor and violence
- Romeo's enraged because of conflicts; shame at having been friendly to Capulets; kills tybalt
- Capulet's wife demands revenge for Tybalt; Romeo banished by Prince
- 3.2
- Juliet waiting for Romeo--her excitement and impatience; desire; urgency
- theme: horses, night, heavens, secrecies, rhetorical energy created by desire
- paradoxes: win by surrendering; concentration of language here again
- modesty and desire; innocence and ardency
- come, come, come--calling her lover to enter her and exploding in orgasm and stars
- not yet occupied as a house; not enjoyed as a house to live in
- impatient child
- Contrast to our knowledge of what just happened; love and death
- Juliet disoriented by words and sounds and names
- suicidal
- rejects romeo and then rejects tybalt; recognizes the changes she's gone through in response to nurse condemnation of Romeo--blistered be thy tongue
- time falling over itself; remembers Romeo's banishement
- 3.3
- Romeo sees banishement sorse than death; he has to pass his own impatience; no distinciton between death and delay
- philosophy vs. emotion
- stand up be a man 85--nurse and friar are sympathetic parent figures; reinforcing audience's sympathy
- Romeo back to his name
- accused of being womanish; Friar takes over plot
- 3.4
- contrast to machinations of Capulet father, trying to marry Juliet to Paris--old figures say"well we were born to die" 5
- marriage on Thursday--old man's haste to deny the suffering and loss; get on with it--very short scene compared to previous long one; we want to see R and J together
- 3.5
- departure after their night together--lark and nightingale music--two birds; now wanting to slow down time
- their feelings after first lovemaking--effort to stop time; time passing as they do so
- terrible departure--we know and they have premonition its their last time together
- mother's misunderstanding--grief for Tybalt; our intimate participation--she puts down Romeo; Juliet's need to disguise herself as later in scene with nurse
- this is the fall; the loss of innocence
- equivocation; as if she plots with mother to kill Rome
- father freaks out at her disobedience; she has to face terrible violence and impetuousity in age
- tragedy: she prefers husband to father and is cast out by him--banished from the garden--cast out
- pathetic search for comfort--some comfort--irony: Romeo's a dishclout
- ancient damnation; 0 wicked fiend--cast out by nurse as well
- 4.1
- according to Paris, father thinks he's doing it for her benefit
- she disses Paris--she and Laurence conspire excluding Paris
- threatens her own suicide
- death engulfing all of them in desperation--the poison drug
- her total commitment to Romeo
- Friar tells a romantic story of sleeping beauty awakened; he's caught up in the fairy tale, instead of sending her directly to Mantua; all in love with death
- 4.2
- Capulet throwing another party
- Juliet gone from excess honesty to dissimulation with father; even enjoying the deception--he is so happy--irony
- 4.3
- More dissimulation from Juliet--with mom and nurse; also mock religion; the friar himself as machiavellian and slightly satanic
- Her soliloquy--mad fantasy--paranoia and gothic visions of the horror of the grave, before she takes the potion
- 4.4
- mother and father cheerfully concerned again with the party; their ignorance, thinking they know best
- trying to wke Juliet; sex jokes
- ritualistic keening about the death of youth--a false death draws as much emotion as a real one; like the false love of Rosaline--displaying the love for Juliet despite previous aggression
- Friar gives religious [false] comfort
- Party over; dirges sung--tragic atmosphere
- Musicians and servants goof around; couldnt care less--irony
- 5.1
- Romeo's dream--like one of Queen Mab's--a premonition--happy and sad; irony
- Balthasar brings misinformation
- Apothecary to get poisons--the opposite of Friars gathering herbs in 2.2
- Romeo losing innocence; dealing with criminals; shop is demonic parody of green fields
- death images; exploitation of poverty; breaking law
- 5.2
- Friar John prevented by plague quarantine from delivering Laurances letter
- Hasty pace of last two short scenes; L. plans to rescue Juliet early
- 5.3
- Paris bringing flowers; nighttime, graveyard and tomb--another garden--death and love; he's mourning
- wrenching iron of Romeo and crowbar of Laurance
- Romeo violently threatening Balthasar
- prying open the jaws of death--tragic atmosphere
- Paris' misprision; fights and killed by R.
- Romeo's compassion
- His painfully ironic and wordplay ending--Tybalt also there; double irony of thinking Juliet looks alive
- drinks poison to his love...with a kiss I die
- timing and dramatic structure--Juliet's actually awake;
- Friar Lawrence entering--discovers "lamentable chance."
- he knows and we know she's awake
- J. awakens--tragedy upon tragedy
- Friar cant deal with the situation and runs away
- kissing lips to get poison; still warm
- interruption again--like in garden--the watch; order
- dagger in sheath "die"
- order restored--catching the accessories; prince comes back
- death of ms. montague announced
- everything explained; end with a "glooming peace"