stage directions 1.right and left refer to actors facing audience] 2. props and sets noted in bold 3. lights and music underlined
trumpet flourish; lights up full enter from down right, Attendant to down left, Officer 2 and 1 stand to left and right of throne, Escalus to right, Duke sits down with truncheon and stamps it
bow
false humility
snap fingers; take commission from left officer and give to Escalus
sharp tone to attendant
down left confidentially
from down left
bow
pointed gaze, long pauses
to everybody
snap, take commission from left lord, stand point with commission dub both shoulders with truncheon hand commission with left hand Escalus move down two steps take with right hand and open it and read first
left palm up, take left hand palm up, place truncheon in it to Escalus to audience while heading down left
sits in throne
from down left; exit; A and E exit up right with officers and throne back lights down long pause lights up full 2 Gentlemen enter up right with Lucy Layalot, slowly cross up left, joking and fondling. Lucio and Kate Keepdown enter up right, move down center. Lucio whispers to Kate, she slaps him and storms up to Lucy, grabs her and they exit down left. Gentlemen come together center and look after them puzzled.
mock pious laugh
looking upward; false piety
posing riddle
after both are puzzled
laughter
righteous and boisterous laughter
points up right
turns back to audience, makes as if opening pants, the gentleman stare and say oooh.
grabbing crotch and groaning as if kicked
pulling a hair out of his head looking at it
mock righeousness knocking on his skull
from up right, swaying hips
swivelling her hips from behind
pointing down right
down left
from up right to him
irritable, she already knows
grabbing her posterior and laughing
V gesture beckoning toward her V
gently moving his hand away
turning away going tee hee turning back with serious expression
Comforting her with arm around shoulder, speaking slow direct to audience
scooting out up left
get on stage before they leave from down right, Claudio mancled in front, Juliet in back shamed, hands over face
down center to audience hands over head lower look up head down from down left
showing manacles
to gentlemen
Lucio dont check out Juliet yet
now checking out Juliet
coming forward, hand on shoulder
to Provost, then Lucio
walking forward with Claudio, looking back at Juliet
walking towards Juliet
tenderly touching her belly
serious and then teasing
serious again
Provost instructs officer to pull Claudio up left
exit down left
as he’s pulled out lights down lights up half intensity
from down left
very slow and serious
doubtful
to audience
incredulous
walk down right
Thomas signals pleased comprehension
urgent, touching his robe,
Thomas exits down left
Thomas returns from down left with monk’s robe both exit with it delighted, up left lights down lights up half
from up right in nun’s habits
following
turning to her, testing
taken aback and covering herself
from down right
fearful
disapproving
Lucio calls up right
from down right
looking her over she shies back gesture to keep her from shying away
approach him
turns her back
addresses her back
walking left away from him
following her
turn to look at him
step down left
from behind her
getting close to her, earnestly and charming
walk right, agitated
she follows
turns and takes her hand kiss her hand...hanging on
taking hand away; exit down right
exit down left lights down officers bring bench up lights up full from up right in furred gown and necklace sits on throne with truncheon, Escalus stands right, officer left, Provost furthest left bangs truncheon for attention
thump truncheon
coming forward
exit Provost up left with Officer 1 Escalus and officer 2 exit up right lights down
lights up full from up left
up right and go around to down right
from up right in furred gown; sits
from down right
down right to Provost
remaining down right
turning to leave
pointing
quiet and respectful
approach
sarcastic
turns to leave down right
grabbing her hand
pushing her one step
at a distance
two steps closer
two steps closer
standing still
pushing her closer
close enought to point to truncheon and robe
closer yet and insinuating
loud and abrupt
retreats, pauses and strong move in and touch robe
to audience; getting heated
long pause moving closer, pointing up, point to chest and lips--hand in his face ecstatic tone
moves her hand away and holds it gently
pulls hand away addressing others
back to him--gimme a break tone
defensive
angry and frustrated
snaps back
truncheon
sarcastic
getting up a head of steam, moving down left
bitter laugh and turn to Angelo
scornful, crossing left approaching from down left
accusatory
stand and cross down left, back to her addressing audience turning to her, turning to go
following behind him--soft but not smiling
disconcerted and again starting to leave
touches him from behind, pulls him center
desperate
kneeling and taking his hand
his hand to her heart
thrilled
pulling her away right
friendly
to audience
sweet
triumphant down right up left
walking after her looking down at himself hits himself
to seat
addressing her where she left
lights down
lights up half and focussed on center
provost from down right, Duke from down left
from up right and remains
they regard her
hand on provost
brings her forward
kneeling
making sign over her
turning his back to her
turning to her
walking to her
standing emphatically and interrupting him
down right
alone to audience
going to her; then escorting her off up right lights down
lights up to three quarters on knees in prayer, then shaking head looking up
hand on crotch excited, demonic, cynical sits on couch
Officer 1 from up right, coughing for his attention turning
up right hand on heart
slowly lower lights a little up right, in white dress and shawl from behind
to audience turning to her
turns to leave
she stops she approaches couch
comes down to his right
approaches her hand reaching to him
pulls her next to him on bench
turns away from him
pause before "Give"
still looking away
charitably
turning to him, incredulous
stand up, step down left turn back to her
stand and take his hand
smiling then sitting down with her
beseeching
reassuring
standing
sanctimoniously and turning away
step down left--to himself, cynically turn to her
no move
approach her like an exam question
sitting, touching her
pause to think of the right answer
stand up, one step down right turn to him
stand and turn down left
quick response pause to audience
slyly
quick and steadfast to him two steps down right, to audience
sitting down
turning to him admitting she was dishonest turning away embarrassed
walking out up right
conciliating
down center--righteously pleading to him touching face turning forward
approaching from behind
takes her by shoulders
turns her to him holding her shawl
one step back right, shawl stays with him, she covers self with arms
folding shawl to heart, one step back
pause, stares at him, hand to head
reaching toward her
turn away laughing bitterly
one step toward her
one step down looking up pointing at him walking toward him both arms out facing audience
grab her left wrist and twist behind her
in her ear
arching her back; she screams
turn her around; kiss; push her onto the ground left, walk up right
on ground weep slowly get up
wiping mouth in disgust
exit up right lights down start with lights low and work up to half from up right Claudio shivering and manacled, Provost gives him coat, leads him down center
from behind
miserably and sarcastically resigned directs Provost to unshackle him and sit himshivering on bench and withdraw up left. From down right
sit next to Claudio
get up walk down right
standing up
cross to down right and exit
Sits down. Exit Duke down left, fade up left, staying on stage from down left wearing cloak
leads her to him, they hold hands; Provost goes behind bench to exit up left and is intercepted by Duke who walks him down left this is very quick
Provost leads him up left and exits up left, Duke remains
Sitting
uncomfortable, turning away from him
turn to him
turn away
touches her shoulder
turn back, irritated
stand, two steps down right
facing forward
persistent
still not facing him
coming to her
stepping backward right
stopped. He steps back left She follows him left
Back to bench
Sitting down, hugging self
Standing right of bench--to him Sits down
To audience
Stands, walk down right
Turn to him
Follows her
hand to face
holds her
hugs him relieved
to audience over her shoulder
break embrace--to him
hesitantly walk down left, thinking to himself Turns to her with question
goes back to seat head in hands
not moving
build up to climax
not moving
going to her quickly
hugging her knees
push him away running behind bench pointing at him
around bench left hit him; he hides his head in crouch walk down right
sprawled [not on knees]
approach from right
pass in front and try to exit down left, cant find way out
he’s prostrate on ground she heads up left from up left
abrupt
polite
cold remains up left
crouching down to Claudio
Claudio reacts--no more hope, therefore no more fear; sits up slowly
lifting him to knees
Duke quickly brings Isabel back, she lifts him to his feet, and walks him back up right stand and exit up right alone
from up left
up right
stares at her, takes her hand
down left
back to her
down right
close behind her, smiling down left
back to her, then pacing excitedly
sitting on left side of bench
sitting next to him
She stands in repulsion and walks down right; he follows holding her back
he lets go of her
cross him, exit down [right?]. he stays lights down
lights back to half Lucio enter from down right, playing with Kate Keepdown’s garter. Sees Duke as Friar enter down left, and hastily tucks in his tights. Then looks at him with suspicion
Duke sees Lucio and turns away to hide face.
checking him out coming in close
turning and going down left
to his back come down left behind duke
non-commital
turn away, walk center back in friar’s ear
thoughtful, walk down right to audience
back to center
turn to Lucio
walk right stop turn to Friar, hold up fingers in V, then turn down and place over wiggling index finger turn away, uncomfortable
to his back moving center confidential, and pull back right
stress on never and much; turning back to L.
two steps to center
strong, jumping L’s line
pause and smile another indecent gesture walk down right
prim
three steps left
walk up right stop
to him from down left
walk toward Duke
walk foward center to meet him, Lucio left, Duke right
two fingers into fist Duke heads down right heading down left; starting and stopping Exit down left
to audience from center
hides down left from up right Overdone manacled to left Officer 1 behind her, E.center stage, Provost to right of Overdone
disgusted
to officer
up left
Provost brings Friar from down left
testing
move down right
up right down center, hood off
exit down right lights down; houselights up
houselights off lights up full from up left
languishing on couch
up left from down right, breathless
from down right
pushes her up left
up left
takes her hands and sits on bench to her left
goes up left
up left to audience
from up left
to right of Duke, Mariana to left
talking across Duke
down left, arm in arm lights down
lights up half enter from up right with warrant officer 1 exit up right
from up right with Officer 2
strong
from down left
up left with Officer 2
from down left
walking down right and looking
fist in palm
excited from down right, crossing Officer giving warrant to Provost
down right
pacing and punching his head
to audience
beckons provost close to him
takes scroll out of robe
look at Friar with reverence
Provost exit up right; Duke down right lights down lights up half with warrant from up right
from up left hung over big time
shaking him
belching, seasick, lying down on bench
pick him up from left and he flops. Pompey exit up left
from down right
going to sleep, snoring
shaking him
push him away; back to sleep
From up right B. snoring ironic, standing up from sleeping Barnardine
Gentle kick to sleeping Barnardine
pointing up; reverent provost exit up right. Hood off; to audience
Hood up from up right, with head, by hair
Check out head closely
Exit, crossing to down left
from down right
hood off to audience hood up, hid up left
surprised at seeing Barnardine
comes out hands out
holding hands in front of B.
shriek and go down right
comforting, from behind
closing her eyes and flexing her claws
calmly
to center and pounding on the floor and crying
To her left and crouching Gives her hanky from robe Lifts her and walks her right then left
she exits down right, he down left
Pompey comes in and drags out Barnardine. Lights down lights up three quarters enter from top right Angelo takes seat, Escalus stands to right, both carrying warrants
up right
jump up--guilty
Cross--fearful
smiling--reassured
back to seat--touching back step out sitting down.
exit up right lights down |
Measure for Measure by William Shakespeare
English 510 Players script abridged by Jason Manville and Steven Marx Act 1, Scene 1 An apartment in the DUKE'S palace. Enter DUKE VINCENTIO, ESCALUS, Lords and Attendants
DUKE VINCENTIO Escalus. ESCALUS My lord. DUKE VINCENTIO Of government the properties to unfold, Would seem in me to affect speech and discourse; Since I know that your own proper knowledge Exceeds, in that, the lists of all advice My strength can give you: There is our commission,
From which we would not have you warp. Call hither, I say, bid come before us Angelo. Exit an Attendant What figure of us think you he will bear?
ESCALUS If any in Vienna be of worth To undergo such ample grace and honour, It is Lord Angelo. DUKE VINCENTIO Look where he comes. Enter ANGELO ANGELO Always obedient to your grace's will, I come to know your pleasure. DUKE VINCENTIO Angelo, There is a kind of character in thy life, That to the observer doth thy history Fully unfold. Heaven doth with us as we with torches do, Not light them for themselves; for if our virtues Did not go forth of us, 'twere all alike As if we had them not.
Hold therefore, Angelo In our remove be thou at full ourself;
Mortality and mercy in Vienna.
Old Escalus is thy secondary. Take thy commission. ANGELO Now, good my lord, Let there be some more test made of my metal, Before so noble and so great a figure Be stamp'd upon it. DUKE VINCENTIO No more evasion: Give me your hand:
I'll privily away. I love the people, But do not like to stage me to their eyes:
ANGELO The heavens give safety to your purposes! ESCALUS Lead forth and bring you back in happiness! DUKE I thank you. Fare you well.
Act 1, Scene 2 A Street. Enter LUCIO and two Gentlemen
LUCIO If the duke with the other dukes come not to agreement with the King of Hungary, why then all the dukes fall upon the king. First Gentleman Heaven grant us its peace, but not the King of Hungary's! Second Gentleman Amen. LUCIO Thou concludest like the sanctimonious pirate, that went to sea with the Ten Commandments, but scraped one from the tablet. Second Gentleman 'Thou shalt not steal'? LUCIO Ay, that he [e]razed. First Gentleman Why, 'twas a commandment to command the captain and all the rest from their functions: they put forth to steal. LUCIO Behold, behold. where Madam Mitigation comes! I have purchased as many diseases under her roof as come to... Second Gentleman To what, I pray? LUCIO Judge. Second Gentleman To three thousand dolores a year. First Gentleman Ay, and more. LUCIO A French crown more. First Gentleman Thou art always figuring diseases in me; but thou art full of error; I am sound. LUCIO Nay, not as one would say, healthy; but so sound as things that are hollow: thy bones are hollow; impiety has made a feast of thee. Enter MISTRESS OVERDONE First Gentleman How now! which of your hips has the most profound sciatica? MISTRESS OVERDONE Well, well; there's one yonder arrested and carried to prison was worth five thousand of you all. Second Gentleman Who's that, I pray thee? MISTRESS OVERDONE Marry, sir, that's Claudio, Signior Claudio. First Gentleman Claudio to prison? 'tis not so. MISTRESS OVERDONE Nay, but I know 'tis so: I saw him arrested, saw him carried away; and, which is more, within these three days his head to be chopped off. LUCIO But, after all this fooling, I would not have it so. Art thou sure of this? MISTRESS OVERDONE I am too sure of it.
LUCIO Away! let's go learn the truth of it. Exeunt LUCIO and Gentlemen MISTRESS OVERDONE Thus, what with the war, what with the sweat, what with the gallows and what with poverty, I am custom-shrunk. Enter POMPEY How now! what's the news with you? POMPEY Yonder man is carried to prison. MISTRESS OVERDONE Well; what has he done? POMPEY A woman. MISTRESS OVERDONE But what's his offence? POMPEY Groping for trouts in a peculiar river. MISTRESS OVERDONE What, is there a maid with child by him? POMPEY No, but there's a woman with maid by him. You have not heard of the proclamation, have you? MISTRESS OVERDONE What proclamation, man? POMPEY All houses in the city of Vienna must be plucked down. To the ground, mistress. MISTRESS OVERDONE Why, here's a change indeed in the commonwealth! What shall become of me? POMPEY Come; fear you not: good counsellors lack no clients: Here comes Signior Claudio, led by the provost to prison; and there's Madam Juliet. Exeunt Enter Provost, Officers, CLAUDIO, JULIET, CLAUDIO Fellow, why dost thou show me thus to the world? Bear me to prison, where I am committed. Provost I do it not in evil disposition, But from Lord Angelo by special charge. CLAUDIO Thus can the demigod Authority Make us pay down for our offence by weight The words of heaven; on whom it will, it will; On whom it will not, so; yet still 'tis just. Re-enter LUCIO and two Gentlemen LUCIO Why, how now, Claudio! whence comes this restraint? CLAUDIO From too much liberty, my Lucio, liberty: As surfeit is the father of much fast, So every scope by the immoderate use Turns to restraint.
Our natures do pursue, Like rats that ravin down their proper bane, A thirsty evil; and when we drink we die. LUCIO If I could speak so wisely under an arrest, I would send for certain of my creditors: and yet, to say the truth, I had as lief have the foppery of freedom as the morality of imprisonment. What's thy offence, Claudio? CLAUDIO What but to speak of would offend again. LUCIO What, is't murder? CLAUDIO No. LUCIO Lechery? CLAUDIO Call it so. Provost Away, sir! you must go. CLAUDIO One word, good friend. Lucio, a word with you. LUCIO A hundred, if they'll do you any good. Is lechery so look'd after? CLAUDIO Thus stands it with me: upon a true contract I got possession of Julietta's bed: You know the lady; she is fast my wife, Save that we do the denunciation lack Of outward order: this we came not to, Only for propagation of a dower Remaining in the coffer of her friends, From whom we thought it meet to hide our love Till time had made them for us. But it chances The stealth of our most mutual entertainment With character too gross is writ on Juliet. LUCIO With child, perhaps? CLAUDIO Unhappily, even so. And the new deputy now for the duke-- Awakes me all the enrolled penalties Which have, like unscour'd armour, hung by the wall and, for a name, Now puts the drowsy and neglected act Freshly on me: 'tis surely for a name. LUCIO I warrant it is: and thy head stands so tickle on thy shoulders that a milkmaid, if she be in love, may sigh it off. Send after the duke and appeal to him. CLAUDIO I have done so, but he's not to be found. I prithee, Lucio, do me this kind service: This day my sister should the cloister enter And there receive her approbation: Acquaint her with the danger of my state: Implore her, in my voice, that she make friends To the strict deputy; bid herself assay him:
LUCIO I'll to her. CLAUDIO I thank you, good friend Lucio.
Act 1, Scene 3 A monastery. Enter DUKE VINCENTIO and FRIAR THOMAS DUKE VINCENTIO Why I desire thee To give me secret harbour, hath a purpose More grave and wrinkled than the aims and ends Of burning youth. FRIAR THOMAS May your grace speak of it? DUKE VINCENTIO We have strict statutes and most biting laws. Which for this nineteen years we have let slip; Now, as fond fathers, Having bound up the threatening twigs of birch, in time the rod Becomes more mock'd than fear'd; so our decrees, are dead; And liberty plucks justice by the nose; The baby beats the nurse. FRIAR THOMAS It rested in your grace To unloose this tied-up justice when you pleased: And it in you more dreadful would have seem'd Than in Lord Angelo. DUKE VINCENTIO I do fear, too dreadful: Sith 'twas my fault to give the people scope, 'Twould be my tyranny to strike and gall them For what I bid them do: Therefore indeed, my father, I have on Angelo imposed the office; Who may, in the ambush of my name, strike home, And yet my nature never in the fight To do in slander. And to behold his sway, I will, as 'twere a brother of your order, Visit both prince and people: therefore, I prithee, Supply me with the habit and instruct me How I may bear me Like a true friar.
Lord Angelo is precise; scarce confesses That his blood flows, hence shall we see, If power change purpose, what our seemers be.
Act 1, Scene 4 A nunnery. Enter FRANCISCA and ISABELLA ISABELLA And have you nuns no farther privileges? FRANCISCA Are not these large enough? ISABELLA Yes, truly; I speak not as desiring more; But rather wishing a more strict restraint Upon the sisterhood, the votarists of Saint Clare. LUCIO [Within] Ho! Peace be in this place! ISABELLA Who's that which calls? FRANCISCA It is a man's voice. Gentle Isabella, Turn you the key, and know his business of him; You may, I may not; you are yet unsworn. When you have vow'd, you must not speak with men But in the presence of the prioress: Then, if you speak, you must not show your face, Or, if you show your face, you must not speak. He calls again; I pray you, answer him. Exit ISABELLA Peace and prosperity! Who is't that calls Enter LUCIO LUCIO Hail, virgin,
Can you bring me to the sight of Isabella, A novice of this place and the fair sister To her unhappy brother Claudio? ISABELLA Why 'her unhappy brother'? let me ask, I am that Isabella and his sister. LUCIO he's in prison. ISABELLA Woe me! for what? LUCIO He hath got his friend with child. ISABELLA Sir, make me not your story. LUCIO It is true. I would not--though 'tis my familiar sin With maids to seem the lapwing and to jest, I hold you as a thing ensky'd and sainted. By your renouncement an immortal spirit
ISABELLA You do blaspheme the good in mocking me. LUCIO Do not believe it. Your brother and his lover have embraced: even so her plenteous womb Expresseth his full tilth and husbandry. ISABELLA Some one with child by him? My cousin Juliet? LUCIO She it is. ISABELLA O, let him marry her. LUCIO This is the point. The duke is very strangely gone from hence; Upon his place, Governs Lord Angelo; a man whose blood Is very snow-broth; He--to give fear to use and liberty, Which have for long run by the hideous law, As mice by lions--hath arrested him To make him an example. All hope is gone, Unless you have the grace by your fair prayer To soften Angelo: ISABELLA Doth he so seek his life? LUCIO Already; as I hear, the provost hath A warrant for his execution. ISABELLA Alas! what poor ability's in me To do him good? LUCIO Go to Lord Angelo, And let him learn to know, when maidens sue, Men give like gods; ISABELLA I'll see what I can do. LUCIO But speedily.
Act 2, Scene 1 A hall In ANGELO's house. Enter Provost, Officers ANGELO, ESCALUS, ANGELO We must not make a scarecrow of the law, Setting it up to fear the birds of prey, And let it keep one shape, till custom make it Their perch and not their terror. ESCALUS Ay, but yet Let us be keen, and rather cut a little, Than fall, and bruise to death. Had time cohered with place or place with wishing, Or that the resolute acting of your blood Could have attain'd the effect of your own purpose, Would you not sometime in your life have Err'd in this point which now you censure him, And pull'd the law upon you. ANGELO 'Tis one thing to be tempted, Escalus, Another thing to fall. Sir, he must die. ESCALUS Be it as your wisdom will. ANGELO Where is the provost? Provost Here, if it like your honour. ANGELO See that Claudio Be executed by nine to-morrow morning: Bring him his confessor, let him be prepared; For that's the utmost of his pilgrimage. ESCALUS [Aside] Well, heaven forgive him! and forgive us all!
Act 2. Scene 2 Enter Provost and Officer 1 Officer he will come straight I'll tell him of you. Provost Pray you, do. Exit Officer 1 I'll know His pleasure; may be he will relent. Alas, He hath but as offended in a dream! All sects, all ages smack of this vice; and he To die for't! Enter ANGELO ANGELO Now, what's the matter. Provost? Provost Is it your will Claudio shall die tomorrow? ANGELO Did not I tell thee yea? hadst thou not order? Why dost thou ask again? Provost Lest I might be too rash: Under your good correction, I have seen, When, after execution, judgment hath Repented o'er his doom. ANGELO Go to; let that be mine: Do you your office, or give up your place, And you shall well be spared. Provost I crave your honour's pardon. What shall be done, sir, with the groaning Juliet? She's very near her hour. ANGELO Dispose of her To some more fitter place, and that with speed. Enter Officer 1 Officer 1 Here is the sister of the man condemn'd Desires access to you. ANGELO Well, let her be admitted. Exit Servant See you the fornicatress be removed: Let have needful, but not lavish, means; There shall be order for't. Enter ISABELLA and LUCIO Provost God save your honour! ANGELO Stay a little while. To ISABELLA You're welcome: what's your will? ISABELLA I am a woeful suitor to your honour, Please but your honour hear me. ANGELO Well; what's your suit?
ISABELLA There is a vice that most I do abhor, And most desire should meet the blow of justice; For which I would not plead, but that I must; For which I must not plead, but that I am At war 'twixt will and will not. ANGELO Well; the matter? ISABELLA I have a brother is condemn'd to die: I do beseech you, let it be his fault, And not my brother. Provost [Aside] Heaven give thee moving graces! ANGELO Condemn the fault and not the actor of it? Why, every fault's condemn'd ere it be done: Mine were the very cipher of a function, To fine the faults whose fine stands in record, And let go by the actor. ISABELLA O just but severe law! I had a brother, then. Heaven keep your honour! LUCIO [Aside to ISABELLA] Give't not o'er so: to him again, entreat him; Kneel down before him, hang upon his gown: You are too cold; if you should need a pin, You could not with more tame a tongue desire it: To him, I say! ISABELLA Must he needs die? ANGELO Maiden, no remedy. ISABELLA Yes; I do think that you might pardon him, And neither heaven nor man grieve at the mercy. ANGELO I will not do't. ISABELLA But can you, if you would? ANGELO Look, what I will not, that I cannot do. ISABELLA But might you do't, and do the world no wrong, If so your heart were touch'd with that remorse As mine is to him? ANGELO He's sentenced; 'tis too late. LUCIO [Aside to ISABELLA] You are too cold. ISABELLA Too late? why, no; I, that do speak a word. May call it back again. Well, believe this, No ceremony that to great ones 'longs, Not the king's crown, nor the deputed sword, The marshal's truncheon, nor the judge's robe, Become them with one half so good a grace As mercy does. If he had been as you and you as he, You would have slipt like him; but he, like you, Would not have been so stern. ANGELO Pray you, be gone. ISABELLA I would to heaven I had your potency, And you were Isabel! should it then be thus? No; I would tell what 'twere to be a judge, And what a prisoner. LUCIO [Aside to ISABELLA] Ay, touch him; there's the vein. ANGELO Your brother is a forfeit of the law, And you but waste your words. ISABELLA Alas, alas! Why, all the souls that were were forfeit once; And He that might the vantage best have took Found out the remedy. How would you be, If He, which is the top of judgment, should But judge you as you are? O, think on that; And mercy then will breathe within your lips, Like man new made. ANGELO Be you content, fair maid; It is the law, not I condemn your brother: Were he my kinsman, brother, or my son, It should be thus with him: he must die tomorrow. ISABELLA To-morrow! O, that's sudden! Spare him, spare him! He's not prepared for death. Even for our kitchens We kill the fowl of season: shall we serve heaven With less respect than we do minister To our gross selves? Good, good my lord, bethink you; Who is it that hath died for this offence? There's many have committed it. LUCIO [Aside to ISABELLA] Ay, well said. ANGELO The law hath not been dead, though it hath slept: Those many had not dared to do that evil, If the first that did the edict infringe Had answer'd for his deed: now 'tis awake
ISABELLA Yet show some pity. ANGELO I show it most of all when I show justice; For then I pity those I do not know, Be satisfied; Your brother dies to-morrow; be content. ISABELLA So you must be the first that gives this sentence, And he, that suffer's. O, it is excellent To have a giant's strength; but it is tyrannous To use it like a giant. LUCIO [Aside to ISABELLA] That's well said. ISABELLA Could great men thunder As Jove himself does, Jove would ne'er be quiet, For every pelting, petty officer Would use his heaven for thunder; Nothing but thunder! Merciful Heaven, Thou rather with thy sharp and sulphurous bolt Split'st the unwedgeable and gnarled oak Than the soft myrtle: but man, proud man, Drest in a little brief authority, Most ignorant of what he's most assured, His glassy essence, like an angry ape, Plays such fantastic tricks before high heaven As make the angels weep; who, with our spleens, Would all themselves laugh mortal. LUCIO [Aside to ISABELLA] O, to him, to him, wench! he will relent; He's coming; I perceive 't. Provost [Aside] Pray heaven she win him! ANGELO Why do you put these sayings upon me? ISABELLA Because authority, though it err like others, Hath yet a kind of medicine in itself, That skins the vice o' the top. Go to your bosom; Knock there, and ask your heart what it doth know That's like my brother's fault: if it confess A natural guiltiness such as is his, Let it not sound a thought upon your tongue Against my brother's life. ANGELO [Aside] She speaks, and 'tis Such sense, that my sense breeds with it. Fare you well. ISABELLA Gentle my lord, turn back. ANGELO I will bethink me: come again tomorrow. ISABELLA Hark how I'll bribe you: good my lord, turn back. ANGELO How! bribe me? ISABELLA Ay, with such gifts that heaven shall share with you. LUCIO [Aside to ISABELLA] You had marr'd all else. ISABELLA Not with fond shekels of the tested gold, but with true prayers That shall be up at heaven and enter there Ere sun-rise, prayers from preserved souls, From fasting maids whose minds are dedicate To nothing temporal. ANGELO Well; come to me to-morrow. LUCIO [Aside to ISABELLA] Go to; 'tis well; away! ISABELLA Heaven keep your honour safe! ANGELO [Aside] Amen: For I am that way going to temptation, Where prayers cross. ISABELLA At what hour to-morrow Shall I attend your lordship? ANGELO At any time 'fore noon. ISABELLA 'Save your honour! Exeunt ISABELLA, LUCIO, Exit Provost ANGELO From thee, even from thy virtue! What's this, what's this? Is this her fault or mine? The tempter or the tempted, who sins most? Ha! Not she: nor doth she tempt: Can it be That modesty may more betray our sense Than woman's lightness? O, fie, fie, fie! What dost thou, or what art thou, Angelo? Dost thou desire her foully for those things That make her good? What, do I love her, That I desire to hear her speak again, And feast upon her eyes? What is't I dream on? O cunning enemy, that, to catch a saint, With saints dost bait thy hook! Most dangerous Is that temptation that doth goad us on To sin in loving virtue: Even till now, When men were fond, I smiled and wonder'd how.
Act 2, Scene 3 A room in a prison. Enter, severally, DUKE VINCENTIO disguised as a friar, and Provost Provost What's your will, good friar? DUKE VINCENTIO Bound by my charity and my blest order, I come to visit the afflicted spirits Here in the prison. PROVOST Enter JULIET Look, here comes one: a gentlewoman of mine, Who, falling in the flaws of her own youth, Hath blister'd her report: she is with child; And he that got it, sentenced; a young man More fit to do another such offence Than die for this. DUKE VINCENTIO When must he die? Provost As I do think, to-morrow. I have provided for you: stay awhile, To JULIET And you shall be conducted. DUKE VINCENTIO Repent you, fair one, of the sin you carry? JULIET I do; and bear the shame most patiently. DUKE VINCENTIO I'll teach you how you shall arraign your conscience, And try your penitence, if it be sound, Or hollowly put on. JULIET I'll gladly learn. DUKE VINCENTIO Love you the man that wrong'd you? JULIET Yes, as I love the woman that wrong'd him. DUKE VINCENTIO So then it seems your most offenceful act Was mutually committed? JULIET Mutually. DUKE VINCENTIO Then was your sin of heavier kind than his. JULIET I do confess it, and repent it, father. DUKE VINCENTIO 'Tis meet so, daughter, but lest you do repent But as we stand in fear-- JULIET I do repent me, as it is an evil, And take the shame with joy. DUKE VINCENTIO There rest. Your partner, as I hear, must die to-morrow, And I am going with instruction to him. Grace go with you, Benedicite! [exit] JULIET Must die to-morrow! O injurious law, That respites me a life, whose very comfort Is still a dying horror! PROVOST 'Tis pity of him.
Act 2, Scene 4 ANGELO When I would pray and think, I think and pray To several subjects. Heaven hath my empty words; Whilst my invention, hearing not my tongue, Anchors on Isabel: Blood, thou art blood: Let's write good angel on the devil's horn: 'Tis not the devil's crest. Enter Officer 1
How now! who's there? Officer 1 One Isabel, a sister, desires access to you. ANGELO Teach her the way. Exit Servant O heavens! Why does my blood thus muster to my heart,
Enter ISABELLA How now, fair maid? ISABELLA I am come to know your pleasure. ANGELO That you might know it, would much better please me Than to demand what 'tis. Your brother cannot live. ISABELLA Even so. Heaven keep your honour! ANGELO Yet... he may he live awhile; and, it may be, As long as you or I yet he must die.
ISABELLA Under your sentence? ANGELO Yea. ISABELLA When, I beseech you? that in his reprieve, Longer or shorter, he may be so fitted That his soul sicken not. ANGELO Ha! fie, these filthy vices! It were as good To pardon him that hath from nature stolen A man already made, as to forgive Their saucy sweetness that do coin heaven's image In stamps that are forbid: ISABELLA 'Tis set down so in heaven, but not in earth. ANGELO Say you so? then I shall pose you quickly. Which had you rather, that the most just law Now took your brother's life; or, to redeem him, Give up your body to such sweet uncleanness As she that he hath stain'd? ISABELLA Sir, believe this, I had rather give my body than my soul. ANGELO I talk not of your soul;
we are not held accountable for our compell'd sins
ISABELLA How say you? ANGELO Nay, I'll not warrant that; for I can speak Against the thing I say. Answer to this: I, now the voice of the recorded law, Pronounce a sentence on your brother's life: Might there not be a charity in sin To save this brother's life? ISABELLA Please you to do't, I'll take it as a peril to my soul, It is no sin at all, but charity. ANGELO Pleased you to do't at peril of your soul, Were equal poise of sin and charity. ISABELLA That I do beg his life, if it be sin, Heaven let me bear it! you granting of my suit, If that be sin, I'll make it my morn prayer To have it added to the faults of mine, And nothing of your answer. ANGELO Nay, but hear me. Your sense pursues not mine: either you are ignorant, Or seem so craftily; and that's not good. ISABELLA Let me be ignorant, and in nothing good, But graciously to know I am no better. ANGELO Thus wisdom wishes to appear most bright When it doth tax itself; But mark me; To be received plain, I'll speak more gross: Your brother is to die. ISABELLA So. ANGELO Admit no other way to save his life,-- but for the sake of argument-- that you, his sister, Finding yourself desired of such a person, Whose credit with the judge or own great place Could fetch your brother from the manacles Of the all-building law; and that there were No earthly way to save him but that either You must lay down the treasures of your body To this supposed, or else to let him suffer; What would you do? ISABELLA As much for my poor brother as myself: That is, were I under the terms of death, The impression of keen whips I'ld wear as rubies, And strip myself to death, as to a bed That longing have been sick for, before I'ld yield My body up to shame. ANGELO Then must your brother die. ISABELLA And 'twere the cheaper way:
Better it were a brother died at once, Than that a sister, by redeeming him, Should die for ever. ANGELO Were not you then as cruel as the sentence That you have slander'd so? ISABELLA Ignomy in ransom and free pardon Are of two houses: lawful mercy Is nothing kin to foul redemption. ANGELO You seem'd of late to make the law a tyrant; And rather proved the sliding of your brother A merriment than a vice. ISABELLA O, pardon me, my lord; it oft falls out, To have what we would have, we speak not what we mean: I something do excuse the thing I hate, For his advantage that I dearly love. ANGELO We are all frail. ISABELLA Then let my brother die,
ANGELO Nay, women are frail too. ISABELLA Women! Help Heaven! men their creation mar In profiting by them. Nay, call us ten times frail; For we are soft as our complexions are, And credulous to false prints. ANGELO I think it well: And from this testimony of your own sex,-- Since I suppose we are made to be no stronger Than faults may shake our frames, --let me be bold; I do arrest your words. Be that you are, That is, a woman; if you be more, you're none; If you be one, as you are well express'd By all external warrants, show it now, By putting on the destined livery. ISABELLA I have no tongue but one: gentle my lord, Let me entreat you speak the former language. ANGELO Plainly conceive, I love you. ISABELLA My brother did love Juliet, And you tell me that he shall die for it. ANGELO He shall not, Isabel, if you give me love. ISABELLA I know your virtue hath a licence in't, Which seems a little fouler than it is, To pluck on others. ANGELO Believe me, on mine honour, My words express my purpose. ISABELLA Ha! little honour to be much believed, And most pernicious purpose! Seeming, seeming! I will proclaim thee, Angelo; look for't: Sign me a present pardon for my brother, Or with an outstretch'd throat I'll tell the world aloud What man thou art. ANGELO Who will believe thee, Isabel?
My unsoil'd name, and my place i' the state, Will so your accusation overweigh, That you shall stifle in your own report. I have begun, And now I give my sensual race the rein: Fit thy consent to my sharp appetite; Lay by all nicety and prolixious blushes, That banish what they sue for; redeem thy brother By yielding up thy body to my will; Or else he must not only die the death, But thy unkindness shall his death draw out To lingering sufferance.
Answer me to-morrow, Or, by the affection that now guides me most, I'll prove a tyrant to him. [Exit] ISABELLA To whom should I complain? Did I tell this, Who would believe me? I'll to my brother: Though he hath fallen by prompture of the blood, Yet hath he in him such a mind of honour. That, had he twenty heads to tender down On twenty bloody blocks, he'ld yield them up, Before his sister should her body stoop To such abhorr'd pollution. Then, Isabel, live chaste, and, brother, die: More than our brother is our chastity. I'll tell him yet of Angelo's request, And fit his mind to death, for his soul's rest.
Act 3, Scene 1 A room in the prison. Enter CLAUDIO, and Provost, DUKE VINCENTIO disguised as before, DUKE VINCENTIO So then you hope of pardon from Lord Angelo? CLAUDIO The miserable have no other medicine But only hope: I've hope to live, and am prepared to die. DUKE VINCENTIO Be absolute for death; either death or life Shall thereby be the sweeter. Reason thus with life: If I do lose thee, I do lose a thing That none but fools would keep: a breath thou art, Servile to all the skyey influences, That dost this habitation, where thou keep'st, Hourly afflict: merely, thou art death's fool; For him thou labour'st by thy flight to shun And yet runn'st toward him still. ... Thou hast nor youth nor age, But, as it were, an after-dinner's sleep, Dreaming on both; for all thy blessed youth Becomes as aged, and doth beg the alms Of palsied eld; and when thou art old and rich, Thou hast neither heat, affection, limb, nor beauty, To make thy riches pleasant. What's yet in this That bears the name of life? Yet in this life Lie hid moe thousand deaths: yet death we fear, That makes these odds all even. CLAUDIO I humbly thank you. To sue to live, I find I seek to die; And, seeking death, find life: let it come on. ISABELLA [Within] What, ho! Peace here; grace and good company! Provost Who's there? come in: the wish deserves a welcome.
DUKE VINCENTIO Dear sir, ere long I'll visit you again. CLAUDIO Most holy sir, I thank you.
Enter ISABELLA led by PROVOST ISABELLA My business is a word or two with Claudio. Provost And very welcome. Look, signior, here's your sister. DUKE VINCENTIO Provost, a word with you. Provost As many as you please. DUKE VINCENTIO Bring me to hear them speak, where I may be concealed. Exeunt DUKE VINCENTIO and Provost CLAUDIO Now, sister, what's the comfort? ISABELLA Why, As all comforts are; most good, most good indeed. Lord Angelo, having affairs to heaven, Intends you for his swift ambassador, Where you shall be an everlasting leiger: Therefore your best appointment make with speed; To-morrow you set on. CLAUDIO Is there no remedy? ISABELLA None, but such remedy as, to save a head, To cleave a heart in twain. CLAUDIO But is there any? ISABELLA Yes, brother, you may live: There is a devilish mercy in the judge, If you'll implore it, that will free your life, But fetter you till death. CLAUDIO Perpetual durance? ISABELLA Ay, just; perpetual durance, a restraint, Though all the world's vastidity you had, To a determined scope. CLAUDIO But in what nature? ISABELLA In such a one as, you consenting to't, Would bark your honour from that trunk you bear, And leave you naked. CLAUDIO Let me know the point. ISABELLA O, I do fear thee, Claudio; and I quake, Lest thou a feverous life shouldst entertain, And six or seven winters more respect Than a perpetual honour. Darest thou die? The sense of death is most in apprehension; And the poor beetle, that we tread upon, In corporal sufferance finds a pang as great As when a giant dies. CLAUDIO Why give you me this shame? Think you I can a resolution fetch From flowery tenderness? If I must die, I will encounter darkness as a bride, And hug it in mine arms. ISABELLA There spake my brother; there my father's grave Did utter forth a voice. Yes, thou must die: Thou art too noble to conserve a life In base appliances. This outward-sainted deputy, Whose settled visage and deliberate word Nips youth i' the head and follies doth emmew As falcon doth the fowl, is yet a devil His filth within being cast, he would appear A pond as deep as hell. CLAUDIO The prenzie Angelo! ISABELLA O, 'tis the cunning livery of hell, The damned'st body to invest and cover In prenzie guards! Dost thou think, Claudio? If I would yield him my virginity, Thou mightst be freed. CLAUDIO O heavens! it cannot be. ISABELLA Yes, he would give't thee, from this rank offence, This night's the time That I should do what I abhor to name, Or else thou diest to-morrow. CLAUDIO Thou shalt not do't. ISABELLA O, were it but my life, I'ld throw it down for your deliverance As frankly as a pin. CLAUDIO Thanks, dear Isabel. ISABELLA Be ready, Claudio, for your death tomorrow. CLAUDIO Yes. Has he affections in him, That thus can make him bite the law by the nose, When he would force it? Sure, it is no sin, Or of the deadly seven, it is the least. ISABELLA Which is the least? CLAUDIO If it were damnable, he being so wise, Why would he for the momentary trick Be perdurably fined? O Isabel! ISABELLA What says my brother? CLAUDIO Death is a fearful thing. ISABELLA And shamed life a hateful. CLAUDIO Ay, but to die, and go we know not where; To lie in cold obstruction and to rot; This sensible warm motion to become A kneaded clod; and the delighted spirit To bathe in fiery floods, or to reside In thrilling region of thick-ribbed ice; To be imprison'd in the viewless winds, And blown with restless violence round about The pendent world; Of those that lawless and incertain thought Imagine howling: 'tis too horrible! The weariest and most loathed worldly life That age, ache, penury and imprisonment Can lay on nature is a paradise To what we fear of death. ISABELLA Alas, alas! CLAUDIO Sweet sister, let me live: What sin you do to save a brother's life, Nature dispenses with the deed so far That it becomes a virtue. ISABELLA O you beast! O faithless coward! O dishonest wretch! Wilt thou be made a man out of my vice? Is't not a kind of incest, to take life From thine own sister's shame? What should I think? Heaven shield my mother play'd my father fair! For such a warped slip of wilderness Ne'er issued from his blood. Take my defiance! Die, perish! Might but my bending down Reprieve thee from thy fate, it should proceed: I'll pray a thousand prayers for thy death, No word to save thee. CLAUDIO Nay, hear me, Isabel. ISABELLA O, fie, fie, fie! Thy sin's not accidental, but a trade. Mercy to thee would prove itself a bawd: 'Tis best thou diest quickly. CLAUDIO O hear me, Isabella! Re-enter DUKE VINCENTIO DUKE VINCENTIO Vouchsafe a word, young sister, but one word. ISABELLA What is your will? DUKE VINCENTIO Might you dispense with your leisure, I would by and by have some speech with you: the satisfaction I would require is likewise your own benefit. ISABELLA I have no superfluous leisure; my stay must be stolen out of other affairs; but I will attend you awhile. Walks apart DUKE VINCENTIO Son, I have overheard what hath passed between you and your sister. Angelo had never the purpose to corrupt her; only he hath made an essay of her virtue to practise his judgment with the disposition of natures: she, having the truth of honour in her, hath made him that gracious denial which he is most glad to receive. I am confessor to Angelo, and I know this to be true; therefore prepare yourself to death: do not satisfy your resolution with hopes that are fallible: tomorrow you must die; go to your knees and make ready. CLAUDIO Let me ask my sister pardon. I am so out of love with life that I will sue to be rid of it. DUKE VINCENTIO Hold you there: farewell. Exit CLAUDIO Provost, a word with you! Re-enter Provost Provost What's your will, father DUKE VINCENTIO That now you are come, you will be gone. Leave me awhile with the maid: my mind promises with my habit no loss shall touch her by my company. Provost In good time. Exit Provost. ISABELLA comes forward DUKE VINCENTIO The hand that hath made you fair hath made you good: the goodness that is cheap in beauty makes beauty brief in goodness; but grace, being the soul of your complexion, shall keep the body of it ever fair. The assault that Angelo hath made to you, fortune hath conveyed to my understanding; and, but that frailty hath examples for his falling, I should wonder at Angelo. How will you do to content this substitute, and to save your brother? ISABELLA I am now going to resolve him: I had rather my brother die by the law than my son should be unlawfully born. But, O, how much is the good duke deceived in Angelo! If ever he return and I can speak to him, I will open my lips in vain, or discover his government. DUKE VINCENTIO That shall not be much amiss: Yet, as the matter now stands, he will avoid your accusation; he made trial of you only. Therefore fasten your ear on my advisings: to the love I have in doing good a remedy presents itself. I do make myself believe that you may most uprighteously do a poor wronged lady a merited benefit; redeem your brother from the angry law; do no stain to your own gracious person; and much please the absent duke, if peradventure he shall ever return to have hearing of this business. ISABELLA Let me hear you speak farther. I have spirit to do anything that appears not foul in the truth of my spirit. DUKE VINCENTIO Virtue is bold, and goodness never fearful. Have you not heard speak of Mariana, the sister of Frederick the great soldier who miscarried at sea? ISABELLA I have heard of the lady, and good words went with her name. DUKE VINCENTIO She should this Angelo have married; was affianced to her by oath, and the nuptial appointed: between which time of the contract and limit of the solemnity, her brother Frederick was wrecked at sea, having in that perished vessel the dowry of his sister. ISABELLA Can this be so? did Angelo so leave her? DUKE VINCENTIO Left her in her tears, and dried not one of them with his comfort; swallowed his vows whole, pretending in her discoveries of dishonour: ISABELLA What a merit were it in death to take this poor maid from the world! What corruption in this life, that it will let this man live! But how out of this can she avail? DUKE VINCENTIO It is a rupture that you may easily heal: and the cure of it not only saves your brother, but keeps you from dishonour in doing it. ISABELLA Show me how, good father. DUKE VINCENTIO This forenamed maid hath yet in her the continuance of her first affection: his unjust unkindness hath, made it more violent and unruly.... Go you to Angelo; answer his requiring with a plausible obedience; agree with his demands to the point...that your stay with him may not be long; that the time may have all shadow and silence in it...This being granted in course, --and now follows all,-- we shall advise this wronged maid to stead up your appointment, go in your place... and here, by this, is your brother saved, your honour untainted, the poor Mariana advantaged, and the corrupt deputy scaled. The doubleness of the benefit defends the deceit from reproof. What think you of it? ISABELLA The image of it gives me content already; and I trust it will grow to a most prosperous perfection. DUKE VINCENTIO It lies much in your holding up. Haste you speedily to Angelo. ISABELLA I thank you for this comfort. Fare you well, good father.
Act 3, Scene 2 [the prison]
LUCIO
What news, friar, of the duke? DUKE VINCENTIO I know none. Can you tell me of any? LUCIO Some say he is with the Emperor of Russia; other some, he is in Rome: but where is he, think you? DUKE VINCENTIO I know not where; but wheresoever, I wish him well. LUCIO It was a mad fantastical trick of him to steal from the state, and usurp the beggary he was never born to. Lord Angelo dukes it well in his absence; he puts transgression to 't. DUKE VINCENTIO He does well in 't. LUCIO A little more lenity to lechery would do no harm in him: something too crabbed that way, friar. DUKE VINCENTIO It is too general a vice, and severity must cure it. LUCIO Yes, in good sooth, the vice is of a great kindred; it is well allied: but it is impossible to extirp it quite, friar, till eating and drinking be put down. They say this Angelo was not made by man and woman after this downright way of creation: is it true, think you? DUKE VINCENTIO How should he be made, then?
LUCIO Some report a sea-maid spawned him; some, that he was begot between two stock-fishes. But it is certain that when he makes water his urine is congealed ice DUKE VINCENTIO You are pleasant, sir, and speak apace. LUCIO Would the duke that is absent have done this? Ere he would have hanged a man for the getting a hundred bastards, he would have paid for the nursing a thousand: he had some feeling of the sport: he knew the service, and that instructed him to mercy. DUKE VINCENTIO I never heard the absent duke much detected for women; he was not inclined that way. LUCIO O, sir, you are deceived. DUKE VINCENTIO 'Tis not possible. LUCIO Who, not the duke? yes, your beggar of fifty; and his use was to put a ducat in her clack-dish: the duke had crotchets in him. He would be drunk too; that let me inform you.
DUKE VINCENTIO Love talks with better knowledge, and knowledge with dearer love. LUCIO Come, sir, I know what I know. DUKE VINCENTIO I can hardly believe that, since you know not what you speak.... I pray you, your name? LUCIO Sir, my name is Lucio; well known to the duke. DUKE VINCENTIO He shall know you better, sir, if I may live to report you. LUCIO I fear you not. But no more of this. Canst thou tell if Claudio die to-morrow or no? DUKE VINCENTIO Why should he die, sir? LUCIO Why? For filling a bottle with a tundish... Marry, this Claudio is condemned for untrussing. Farewell, good friar: I prithee, pray for me. The duke, I say to thee again, would eat mutton on Fridays. He's not past it yet, and I say to thee, he would mouth with a beggar, though she smelt brown bread and garlic: say that I said so. Farewell. Exit DUKE VINCENTIO No might nor greatness in mortality Can censure 'scape; back-wounding calumny The whitest virtue strikes. What king so strong Can tie the gall up in the slanderous tongue? But who comes here? Enter ESCALUS, Provost, and Officer with MISTRESS OVERDONE ESCALUS Go; away with her to prison! MISTRESS OVERDONE Good my lord, be good to me; your honour is accounted a merciful man; good my lord. ESCALUS Double and treble admonition, and still forfeit in the same kind! This would make mercy swear and play the tyrant. Provost A bawd of eleven years' continuance, may it please your honour. MISTRESS OVERDONE My lord, this is one Lucio's information against me. Mistress Kate Keepdown was with child by him in the duke's time; he promised her marriage: his child is a year and a quarter old, come Philip and Jacob: I have kept it myself; and see how he goes about to abuse me! ESCALUS That fellow is a fellow of much licence: let him be called before us. Away with her to prison! Go to; no more words. Exit Officer 1 with MISTRESS OVERDONE Provost, my brother Angelo will not be altered; Claudio must die to-morrow: Provost So please you, this friar hath been with him, and advised him for the entertainment of death. ESCALUS Good even, good father. DUKE VINCENTIO Bliss and goodness on you! ESCALUS Of whence are you? DUKE VINCENTIO Not of this country, I am a brother Of gracious order, late come from the See In special business from his holiness... I pray you, sir, of what disposition was the duke? ESCALUS One that, above all other strifes, contended especially to know himself. DUKE VINCENTIO What pleasure was he given to? ESCALUS Rather rejoicing to see another merry, than merry at any thing which professed to make him rejoice: a gentleman of all temperance. But leave we him to his events, with a prayer they may prove prosperous; and let me desire to know how you find Claudio prepared. I am made to understand that you have lent him visitation. DUKE VINCENTIO He professes to have received no sinister measure from his judge, but most willingly humbles himself to the determination of justice: now is he resolved to die. ESCALUS You have paid the heavens your function I am going to visit the prisoner. Fare you well. DUKE VINCENTIO Peace be with you! Exeunt ESCALUS and Provost He who the sword of heaven will bear Should be as holy as severe; Pattern in himself to know, Grace to stand, and virtue go; How may likeness made in crimes, Making practise on the times, To draw with idle spiders' strings Most ponderous and substantial things! Craft against vice I must apply: With Angelo to-night shall lie His old betrothed but despised; So disguise shall, by the disguised, Pay with falsehood false exacting, And perform an old contracting. Act 4, Scene 1 The moated grange at ST. LUKE's. Enter MARIANA and a Boy Boy sings Take, O, take those lips away, That so sweetly were forsworn; And those eyes, the break of day, Lights that do mislead the morn: But my kisses bring again, bring again; Seals of love, but sealed in vain, sealed in vain. MARIANA Break off thy song, and haste thee quick away: Here comes a man of comfort, whose advice Hath often still'd my brawling discontent. Exit Boy Enter DUKE VINCENTIO disguised as before I cry you mercy, sir; and well could wish You had not found me here so musical: Let me excuse me, and believe me so, My mirth it much displeased, but pleased my woe. DUKE VINCENTIO 'Tis good; though music oft hath such a charm To make bad good, and good provoke to harm. I pray, you, tell me, hath any body inquired for me here to-day? MARIANA You have not been inquired after: I have sat here all day. Enter ISABELLA DUKE VINCENTIO I do constantly believe you. The time is come even now. I shall crave your forbearance a little: may be I will call upon you anon, for some advantage to yourself. MARIANA I am always bound to you. Exit DUKE VINCENTIO Very well met, and well come. What is the news from this good deputy? ISABELLA He hath a garden circummured with brick, Whose western side is with a vineyard back'd; There have I made my promise Upon the heavy middle of the night To call upon him. I have possess'd him my most stay Can be but brief; DUKE VINCENTIO 'Tis well borne up. I have not yet made known to Mariana A word of this. What, ho! within! come forth! Re-enter MARIANA I pray you, be acquainted with this maid; She comes to do you good. ISABELLA I do desire the like. DUKE VINCENTIO Do you persuade yourself that I respect you? MARIANA Good friar, I know you do, and have found it. DUKE VINCENTIO Take, then, this your companion by the hand, Who hath a story ready for your ear. I shall attend your leisure: but make haste; The vaporous night approaches. MARIANA Will't please you walk aside? Exeunt MARIANA and ISABELLA DUKE VINCENTIO O place and greatness! millions of false eyes Are stuck upon thee: volumes of report Run with these false and most contrarious quests Upon thy doings: Re-enter MARIANA and ISABELLA Welcome, how agreed? ISABELLA She'll take the enterprise upon her, father, If you advise it. DUKE VINCENTIO It is not my consent, But my entreaty too. ISABELLA Little have you to say When you depart from him, but, soft and low, 'Remember now my brother.' MARIANA Fear me not. DUKE VINCENTIO Nor, gentle daughter, fear you not at all. He is your husband on a pre-contract: To bring you thus together, 'tis no sin, Sith that the justice of your title to him Doth flourish the deceit. Come, let us go: Our corn's to reap, for yet our tithe's to sow. Exeunt
Act 4, Scene 2 A room in the prison. Provost and Officer 1 Call hither Barnardine and Claudio: The one has my pity; not a jot the other, Being a murderer, though he were my brother. Enter CLAUDIO Look, here's the warrant, Claudio, for thy death: 'Tis now dead midnight, and by eight to-morrow Thou must be made immortal. Where's Barnardine? CLAUDIO As fast lock'd up in sleep as guiltless labour When it lies starkly in the traveller's bones: He will not wake. Provost Who can do good on him? Well, go, prepare yourself. Knocking within But, hark, what noise? Heaven give your spirits comfort! Exit CLAUDIO By and by. I hope it is some pardon or reprieve For the most gentle Claudio. Enter DUKE VINCENTIO disguised as before Welcome father. DUKE VINCENTIO The best and wholesomest spirts of the night Envelope you, good Provost! Who call'd here of late? Provost None, since the curfew rung. DUKE VINCENTIO Not Isabel? Provost No. DUKE VINCENTIO They will, then, ere't be long. Provost What comfort is for Claudio? DUKE VINCENTIO There's some in hope. Provost It is a bitter deputy. DUKE VINCENTIO And here comes Claudio's pardon. OFFICER 1
My lord hath sent you this note; and by me this further charge, that you swerve not from the smallest article of it, neither in time, matter, or other circumstance. Good morrow; for, as I take it, it is almost day. Provost I shall obey him. Exit Messenger DUKE VINCENTIO [Aside] This is his pardon, purchased by such sin For which the pardoner himself is in. .... Now, sir, what news? Provost [Reads] 'Whatsoever you may hear to the contrary, let Claudio be executed by four of the clock; and in the afternoon Barnardine: for my better satisfaction, let me have Claudio's head sent me by five. Let this be duly performed; with a thought that more depends on it than we must yet deliver. Thus fail not to do your office, as you will answer it at your peril.' What say you to this, sir? DUKE VINCENTIO [PAUSE] What is that Barnardine who is to be executed in the afternoon? Provost A Bohemian born, but here nursed un and bred; one that is a prisoner nine years old... A man that apprehends death no more dreadfully but as a drunken sleep; careless, reckless, and fearless of what's past, present, or to come; insensible of mortality, and desperately mortal. DUKE VINCENTIO He wants advice. Provost He will hear none: he hath evermore had the liberty of the prison; give him leave to escape hence, he would not: drunk many times a day, if not many days entirely drunk. DUKE VINCENTIO By the vow of mine order I warrant you, if my instructions may be your guide. Let this Barnardine be this morning executed, and his head born to Angelo. Provost Angelo hath seen them both, and will discover the favour. DUKE VINCENTIO O, death's a great disguiser; and you may add to it. Shave the head, and tie the beard; Look you, sir, here is the hand and seal of the duke: you know the character, I doubt not; and the signet is not strange to you. Provost I know them both. DUKE VINCENTIO Put not yourself into amazement how these things should be: all difficulties are but easy when they are known. Call your executioner, and off with Barnardine's head. Act 4, Scene 3 POMPEY Master Barnardine! you must rise and be hanged. Master Barnardine! BARNARDINE [Within] A pox o' your throats! Who makes that noise there? What are you? POMPEY Your friends, sir; the hangman. You must be so good, sir, to rise and be put to death. BARNARDINE [Within] Away, you rogue, away! I am sleepy. POMPEY Pray, Master Barnardine, awake till you are executed, and sleep afterwards. [Enter BARNARDINE] BARNARDINE How now, POMPEY? what's the news with you? POMPEY Truly, sir, I would desire you to clap into your prayers; for, look you, the warrant's come. BARNARDINE You rogue, I have been drinking all night; I am not fitted for 't. POMPEY O, the better, sir; for he that drinks all night, and is hanged betimes in the morning, may sleep the sounder all the next day.
Enter DUKE VINCENTIO disguised as before DUKE VINCENTIO Sir, induced by my charity, and hearing how hastily you are to depart, I am come to advise you, comfort you and pray with you. BARNARDINE
Friar, not I I have been drinking hard all night, and I will have more time to prepare me, or they shall beat out my brains with billets: I will not consent to die this day, that's certain. DUKE VINCENTIO O, sir, you must: and therefore I beseech you Look forward on the journey you shall go. BARNARDINE I swear I will not die to-day for any man's persuasion. DUKE VINCENTIO Unfit to live or die: O gravel heart!
Enter Provost PROVOST Now, sir, how do you find the prisoner? DUKE VINCENTIO A creature unprepared, unmeet for death; And to transport him in the mind he is Were damnable. Provost Here in the prison, father, There died this morning of a cruel fever One Ragozine, a most notorious pirate, A man of Claudio's years; his beard and head Just of his colour. What if we do omit This reprobate till he were well inclined; And satisfy the deputy with the visage Of Ragozine, more like to Claudio? DUKE VINCENTIO O, 'tis an accident that heaven provides! Dispatch it presently; the hour draws on
Now will I write letters to Angelo,-- whose contents Shall witness to him I am near at home, And that, by great injunctions, I am bound To enter publicly: him I'll desire To meet me at the consecrated fount A league below the city; By cold gradation and well balanced form We shall proceed with Angelo Re-enter Provost: Here is the head; I'll carry it myself. DUKE VINCENTIO Convenient it is. Make a swift return. PROVOST I’ll make all speed ISABELLA [Within] Peace, ho, be here! DUKE VINCENTIO The tongue of Isabel. She's come to know If yet her brother's pardon be come hither: But I will keep her ignorant of her good,
ISABELLA Ho, by your leave! DUKE VINCENTIO Good morning to you, fair and gracious daughter. ISABELLA The better, given me by so holy a man. Hath yet the deputy sent my brother's pardon? DUKE VINCENTIO He hath released him, Isabel, from the world: His head is off and sent to Angelo. ISABELLA Nay, but it is not so. DUKE VINCENTIO It is no other: show your wisdom, daughter, In your close patience. ISABELLA O, I will to him and pluck out his eyes! DUKE VINCENTIO You shall not be admitted to his sight. ISABELLA Unhappy Claudio! wretched Isabel! Injurious world! most damned Angelo! DUKE VINCENTIO This nor hurts him nor profits you a jot; Forbear it therefore; give your cause to heaven. Mark what I say, ... The duke comes home to-morrow; nay, dry your eyes; ... If you can, pace your wisdom In that good path that I would wish it go, And you shall have your bosom on this wretch, Grace of the duke, revenges to your heart, And general honour. ISABELLA I am directed by you.
Exit [Enter Pompey and drag out Barnardine up left]
Act 4, Scene 4
ESCALUS Every letter he hath writ hath disvouched other. ANGELO In most uneven and distracted manner. His actions show much like to madness: pray heaven his wisdom be not tainted! And why meet him at the gates, and redeliver our authorities there ESCALUS I guess not. ANGELO And why should we proclaim it in an hour before his entering, that if any crave redress of injustice, they should exhibit their petitions in the street? ESCALUS He shows his reason for that: to have a dispatch of complaints, and to deliver us from devices hereafter, which shall then have no power to stand against us. ANGELO Good night. [Exit ESCALUS]
This deed unshapes me quite, makes me unpregnant And dull to all proceedings. A deflower'd maid! And by an eminent body that enforced The law against it! But that her tender shame Will not proclaim against her maiden loss, How might she tongue me! Yet reason dares her no; For my authority bears of a credent bulk, That no particular scandal once can touch But it confounds the breather. He should have lived, Save that riotous youth, with dangerous sense, Might in the times to come have ta'en revenge, By so receiving a dishonour'd life With ransom of such shame. Would yet he had lived! Alack, when once our grace we have forgot, Nothing goes right; we would, and we would not.
|