Try it, youÕll like it!
No artificial
ingredients. ÒWhere thereÕs a will, thereÕs an
AÓ
I.
Eliminate excess
verbiage; every word must tell.
II.
Read every
sentence aloud. Make sure it makes
sense and sounds like something you would say to another person.
III.
Avoid unnecessary
adverbs like Òbasically,Ó especially intensifiers like ÒveryÓ or Òincredibly.Ó
IV.
Present plot
summary only to support an interpretive assertion.
V.
Support
controversial statements and define crucial terms.
VI.
DonÕt belabor the
obvious or repeat yourself, even in introductory and concluding
paragraphs.
VII.
Always place
periods and commas inside closing quotation marks.
VIII. When writing about literature stay in the present
tense.
IX.
Study the pages
on documentation and plagiarism before using secondary sources.
X.
Dream up apt and
snappy titles.
Be sure you understand and know what to do about every one of the
instructorÕs corrections. Use this
key to interpret or, better yet, avoid them.
squiggle |
Delete: read whatÕs left and notice how much better it is. |
Paragraph sign |
No paragraph or new paragraph |
~ |
Reverse order of words |
coh |
Lacks coherence; insufficient connection between sentences or
paragraphs |
w.w./w.c. |
Wrong word/word choice—use dictionary or thesaurus |
d |
Diction—inappropriate level of formality or informality |
Frag./ s.f. |
Sentence fragment—incomplete sentence. A complete sentence makes an
assertion that can be contradicted, e.g. ÒShe did.Ó |
c.s. |
Comma splice. Separate
complete statements with period or semicolon. |
tense |
Inconsistent tense.
Usually keep to present tense |
Ref. |
Reference error. Pronoun
has missing or ambiguous antecedent |
Agr. |
Lack of agreement between pronoun and antecedent or subject and verb |
Awk. |
Awkward phrasing. Read
this aloud. |
Sp. |
Spelling error |
ll |
Faulty parallelism.
Parallel sentence elements must have parallel structure. |