First Class on Othello
- Othello--See
paradigm for literary study
- Scene
summariescurve of the plot--five act structure
- First
act, three scenes--Venice...order contains chaos
- Iago's plot--abuse
of Othello--scoundrels
- use
of sexually charged language: poison his delights, old black ram tupping your
white ewe 1.1.69, 89 p. 1182
- Othello
at the inn--facing Brabantio successfully--nobility
- Ambiguity
of events--public and private--"Is it they" 1.2.33 p. 1186
- First
trial--successful defense
- Additional
layer--Iago watching as spectator and manipulating--with and without Roderigo--watch
exits and entrances for subscenes
- Second act--Cyprus--the
liminal fringes
- Tempest
and calm--created with language--excitement; tension and almost resolution. Defeat
of the Turks...happy climax 2.1.178 p. 1202
- Iago/Roderigo
layer--sublimity vs. obscenity l.170
- celebration
- Seduction
of Cassio; arousal of Othello
- return
of evil; drunkenness; caught in vulnerable position, like
- Iago's
language to Othello--bride and groom divesting for bed--2.3.154 p.1209--use of
sexually charged language
- Characters
- Roderigo
- Iago
- Othellokeep
up your bright swords or the dew will rust them
- Brabantio
- Desdemonawants
to be a soldier; loves the heroism of the vita activa
- Setting
- Venice and Cyprus,
street, senate chamber, inn, bedchamber
- Themes
- Reputation/Pride/social
status
- Sex
and Love
- The
private and the publicanxieties and desires
- Race
- Appearance
vs. Reality
- Inference
and evidence
- Psychological
vulnerability
- Evil
- Military
matters
- Language
- Exalted and debased