I.     The World War I Poets

A.   To the Lighthouse: p. 100*Carmichael brings out poems—war revived interest in poetry

B.   Motives for writers and readersÉ

1.    Celebration

2.    Protest

3.    Despair

4.    Questioning

5.    Consolation/Solace

6.    Anger

7.    Irony

8.    Search for meaning

9.    Persuasion

10.Release

11.Fame and fortune

II.  History

A.   As a result, both nations strove to out-build each other in terms of capital ships. With the launch of HMS Dreadnought in 1906, the British Empire expanded on its significant advantage over its German rivals.[21] The arms race between Britain and Germany eventually extended to the rest of Europe, with all the major powers devoting their industrial base to the production of the equipment and weapons necessary for a pan-European conflict.[22] Between 1908 and 1913, the military spending of the European powers increased by 50 percent.[23]

B.   The causes of World War I, which began in central Europe in July 1914, included many intertwined factors, such as the conflicts and hostility of the four decades leading up to the war. Militarism, alliances, imperialism, and nationalism played major roles in the conflict as well.

C.   The movie: http://www.youtube.com/watch?v=iRbM1hgvCKk&feature=related

III.         Poems alternate Innocence and Experience

A.   Pro patria; patriotism; pater; patriarchy

B.   Life in the face of death; paradoxes—joy among war companions

IV.         John McRae: In Flanders fields, 12

A.   musical setting: http://www.youtube.com/watch?v=3WCd3lQY0o8

B.   It has been called "the most popular poem" produced during that period.[1] Canadian physician and Lieutenant Colonel John McCrae is popularly believed to have written it on 3 May 1915 (see 1915 in poetry), after he witnessed the death of his friend, Lieutenant Alexis Helmer, 22 years old, the day before.

C.   The poppies referred to in the poem grew in profusion in Flanders in the disturbed earth of the battlefields and cemeteries where war casualties were buried[2] and thus became a symbol of Remembrance Day

D.  The poem is part of Remembrance Day ceremonies in the United Kingdom, where it holds as one of the nation's best-loved, and is occasionally featured in Memorial Day ceremonies in the United States.

1.    Memorial Day is a United States federal holiday observed on the last Monday of May (May 30 in 2011). Formerly known as Decoration Day, it commemorates U.S. soldiers who died while in the military service.[1]

2.    Begun as a ritual of remembrance and reconciliation after the Civil War, by the early 20th century, Memorial Day was an occasion for more general expressions of memory, as ordinary people visited the graves of their deceased relatives, whether they had served in the military or not. It also became a long weekend increasingly devoted to shopping, family get-togethers, fireworks, trips to the beach, and national media events such as the Indianapolis 500 (since 1911) and the Coca-Cola 600 (since 1960) auto races.[3]

V.  Rupert Brooke

A.   General

1.    Enlisted 1914; died 1915

2.    Looking for sacrifice and nobility and transcendance

3.    [Songs of innocence—like the Chimney Sweeper, transforming adversity with guardianship and religion and idealism and positive attitude]

4.    Went swimming naked with VW in the riverÉ

5.    Sacrifice of youth

6.    Little actual experience of battle

B.   Peace

1.    Thank God for war—cleansing and clarifying

2.    Peace stinks—emptiness of love

3.    War is place for release of shame—all its ills are trivial, including death—since it creates an end; early end vs. world grown old and cold and weary

4.    Canker of peace

C.   Safety

1.    Safety is hid security is things undying—wind, night, birds, clouds

2.    Address to another person when leaving—their common experience

3.    Secretly armed; ready for death

4.    This is an affirmation of the opposite—attempt to vanquish fear in insisting on safety

D.  The Dead (!)

1.    Their deaths have given us the rich gifts of their futures

2.    Holiness and Honour and Nobleness

E.   The Dead

1.    the beautiful changes of life in water

2.    the dignity and stability of death

F.   The Soldier

1.    Eternal and extended England; love of the land; patria

2.    Dead heart, all evil shed away

3.    In English Heaven it gives back the thoughts of England

G.  The Treasure

1.    Mother with children again—hope that after death has ended experience, he will revive it in a golden space

VI.         Charles Sorley

A.   To Germany

1.    WeÕre no better than you; the blind fight the blind

2.    Looking toward peace; knowing the absurdity of war;

3.    Facing the thunder and storm and rain

4.    Complete contradiction

B.   Millions of mouthless dead

1.    Futility of grieving; the dead are honorless and deaf and blind: it is easy to be dead

C.   Route March

1.    Marching song; Christ died and Barabbas; it doesnÕt mean much

2.    Like 1969 Woodstock: One two three what are fighting for

a)    http://www.youtube.com/watch?v=DiWcDt8566g

b)   The war exacted a huge human cost in terms of fatalities. Estimates of the number of Vietnamese soldiers and civilians killed vary from less than one million[27] to more than three million.[28] Some 200,000–300,000 Cambodians, 20,000–200,000Laotians, and 58,220 U.S. servicemembers also died in the conflict.[A 2]

VII.      Wilfred Owen: 18-26

A.   Arms and the boy

1.    Virgil: Arma virumquem cano

2.    Off rhyme

3.    Contrast of pleasure and beauty with horror

4.    Not god—youÕve got to be taught

B.   Greater Love

1.    The love of dead soldiers over that of lovers

C.   Insensibility

1.    The solution

2.    Reversal at the end

3.    Off rhyme

4.    as it echoes the beatitudes of St. Matthew's Gospel (Christ's sermon on the Mount). However, here Owen is stating that it is blessed to have the very opposite of those qualities which Christ praised and admired. Just as the good and bad aspects of life for the soldiers have been distorted by the war, so too have these desirable qualities expressed in the beatitudes been distorted within the context of war.

D.  Dulce et Decorum Est

1.    a line from the Roman lyrical poet Horace's Odes (III.2.13)

2.    the old lie—horrible spectacle of being gassed

3.    on use of gas:   http://www.worldwar1.com/arm006.htm

E.   Mental Cases

F.   Futility

1.    Try awakening a comatose soldier

2.    Warm vs. cold

3.    Seeds and growth vs. sleep

G.  Disabled

1.    Contrast play and girls

2.    Illusions of soldierhood

3.    Horrible ending

H.  Anthem for  Doomed Youth

1.    Parade of departure

I.     Strange Meeting

1.    Encounter in hell

2.    obscure section about what he had planned to do before dying:

a)    the wild

b)   vitality in love and grief

c)    to tell the horror of war

d)   therefore none will break ranks

e)    I would have provided comfort and wisdom

3.    I am enemy you killed

J.    Apologia

1.    I saw God, glory not blood, glee, the joy of killing

2.    Went beyond fear

3.    Witnessed exultation—from foul faces

4.    Made fellowships better than love—many contrasts

5.    Perceived much beauty, music, peace—in horrors

6.    Turnaround: these words cant convey that pleasure unless youÕve been there

7.    You should weep for them; you donÕt deserve to share their joys

VIII.    Robert Bridges: 59-60

A.   In 1914 when England entered World War I, Bridges felt it was his duty as newly appointed poet laureate to contribute to the war effort through his writing. His war poems were collected in October and Other Poems, with Occasional Verses on the War (1920).

B.   To the USA

1.    Abstractions

C.   Trafalgar square

1.    Moves from despair to patriotic fervor—Nelson on column, not Shakespeare—British heroes

2.    He was noted for his inspirational leadership and having a superb grasp of strategy and unconventional tactics, which resulted in a number of decisive naval victories. He was wounded several times in combat, losing one arm and the sight in one eye. Of his several victories, the most well known and notable was the Battle of Trafalgar in 1805, at the end of which he was shot and killed.

3.    Nelson column: http://en.wikipedia.org/wiki/File:Nelson's_Column_Looking_Towards_Westminster_-_Trafalgar_Square_-_London_-_240404.jpg

IX.         Siegfried Sassoon: 31-39

A.   http://en.wikipedia.org/w iki/Siegfried_Sassoon

B.   Turns from pro to anti war—bitterness and irony; lived to 81

C.   In the Pink

1.    Joy vs. drudgery and death—he donÕt know why—dialect

D.  A Working party

1.    The average joe—marching at night in the trench; great description; switch to after his death—then filling in—then the moment of death

E.   Blighters

1.    Music hall scene; hatred in speaker; joy and carefree at home

F.   They

1.    Mocking the Bishops celebration of the change in the boys—with other changes

G.  The One Legged Man

1.    Surprise: thank god they had to amputate—blithe: why?

H.  Haunted

1.    Nightmare of monsters and death and trying to escape

I.     The Troops

1.    Daybreak, desolation

2.    They grin and fight their way toward death from safety

3.    Death will grieve there are none left; the unreturning army that was youth

J.    The General

1.    Grunts vs. Generals--bitterness

K.   Repression of War Experience

1.    Ptsd: http://ptsd.about.com/od/prevalence/a/MilitaryPTSD.htm

X.  Robert Graves: 39-50

A.   To Lucasta

1.    Fusiliers fight only for pride—not ideals or statesmen

B.   Goliath and David

1.    Gods eyes are dim; Goliath wins

C.   When IÕm killed

1.    Remember me in this poem

D.  Dead Boche

1.    Gruesome corpse

E.   The next war

1.    Kids love war games

F.   Escape

1.    Getting around Cerberus

G.  Not dead

1.    David is backÉlost friend in nature

XI.         Rudyard Kipling: 62-66

A.   For all we have and are

1.    Meet the Hun

2.    Who stands if freedom fall/Who dies if England live

B.   The American spirit speaks

1.    The choice--abstractions/