Marni Brewster
ENGL 339 Paper #3
The Fuzzy Continuum
The
title of William ShakespeareÕs comedy, ÒAs You Like It,Ó implies that the
characters can do anything that they like. Shakespeare constructs his
characters to explore the themes and motifs of exile, the country life versus
the city life, and of course, love. As the main characters are exiled to the
Forest of Arden, they begin to explore the country life as an escape from the
court and its restricting limitations. Once the characters begin to embrace the
pastoral country life, they begin to experience love and the range of
intimacies and sexual possibilities as they like it. Out in the forest, love is
seen as a continuous spectrum between heterosexuality and homosexuality. ÒAs
You Like ItÓ explores different kinds of love between members of the same sex.
In
Act I, we are introduced to Rosalind and Celia, cousins who are extremely close
friends. At times their relationship becomes quite intense, as seen when Celia
is trying to cheer up Rosalind after her father had been banished to the
Forest. ÒHerein I see thou lovÕst me not with the full weight that I love
thee.Ó (Signet Classic, pg. 9, ln. 7[SM1]) Act I is full of declarations of love between the
cousins, but the twoÕs sexual identity
with each other is never clearly realized.[SM2] In the following Acts, Celia does become extremely
jealous when Rosalind falls in love with the dashing Orlando, but this is
normal for any person who becomes a third wheel in a relationship.
The
main focus of homoeroticism arises from Rosalind cross-dressing. She is exiled
to the forest and Celia faithfully follows, so Rosalind dresses up as a boy to
keep them both safe out in the country. Rosalind chooses the name Ganymede as
her alter ego, traditionally the name of a beautiful boy who was a lover to the
gods, in particular Jove, and whoÕs[SM3] name carries homosexual nuances. Out in the country
everyone seems to fall in love with Ganymede, the beautiful boy that looks like
a woman because he is really Rosalind in disguise! The shepherdess Phoebe is
more attracted to the feminine Ganymede than the manly shepherd Silvius. ÒDear
[Ganymede], now I find thy saw of might, ÔWho ever loved that loved not at
first sight?ÕÓ (pg. 70, ln. 81) Another character that seems to fall in love
with Ganymede is RosalindÕs true love, Orlando. Orlando employs Ganymede to
help him win the heart of his fair Rosalind, not knowing it is truly Rosalind
who is giving him the advice! Ganymede suggests that he could pretend to be
Rosalind so that Orland can practice his wooing skills. Orlando is supposed to
be in love with Rosalind, yet he seems to enjoy the idea of acting out his
romance with a young and beautiful boy. Ganymede teases him, Òcome now, I will
be your Rosalind in a more coming on disposition; ask me what you will, I will
grant it.Ó (pg. 77, ln. 106) ItÕs as if Orlando finds the boy who looks like
his love more appealing than the real Rosalind[SM4].
ÒAs
You Like ItÓ ends in four heterosexual marriages with a Òhappily ever afterÓ as
everyone heads back to the court and leaves the pastoral life. Yet we cannot
overlook the point that Shakespeare is trying to make about the confines of
society and what is and is not acceptable, especially in the realm of
sexuality. At court, heterosexual marriage is the only acceptable lifestyle,
but out in the freeness [SM5]of the country sexuality is a fuzzy continuum on which
one can move as one likes[SM6].
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[SM1]Good
support
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[SM2]unclear
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[SM3]whose
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[SM4]well
statedÑthis is the center of mischievous ambiguity
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[SM5]freedom
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[SM6]nicely
stated. YouÕve captured the exuberant playfulness of
this theme here in your prose and in your performance. The moment of taking down your hair was
spectacular! Twelfth Night develops this same theme even more fully. Have you seen the Trevor Nunn
production of that play on video?
A